Ki Tissa -- Exodus 30:11 – 34:35

Construction of the Tabernacle is left to the wise-hearted artisans, Bezalel and Aholiav, and proceeds according to schedule, but Moses does not return from atop Mount Sinai exactly when expected (32:1). This leads the impatient Israelites to sculpt a molten calf of gold and worship it (32:6).

When he finally returns, Moses sees his people dancing around this idol and becomes enraged; he smashes the first set of tablets, destroys the molten calf, and executes the culprits behind this moment of grave idolatry. Then, in a moment of great empathic compassion, Moses turns to God and says: “If You do not forgive them, then blot me out of the book that You have written!” (32:32) Perhaps this eruption of empathic compassion is what allows Moses to formulate a second set of tablets upon his next ascent to Sinai?

When Moses is able to be truly present to the others in his community, no matter how errant, he is then granted a vision of the divine, through the thirteen attributes of mercy. After Auschwitz, the great French Jewish thinker Emmanuel Levinas (1906-1995) took this remarkable moment of Moses’ request for a complete encounter with the divine “face” (33:20) only to be granted a view of “the other side” (33:23) to teach us that every human encounter with "the other" presents us with a trace of the divine.

- Rabbi Aubrey Glazer

Artwork note: This week's illustration depicts the golden calf, Torah's most prominent symbol of idolatry. Here, the calf's head references Charging Bull, the famous bronze sculpture that's sparked countless photo ops in downtown Manhattan since it was installed in 1987. The choice isn't intended as an attack on capitalism (which, when thoughtfully regulated, is the most workable system we’ve come up with), but perhaps our modern championing of relentless economic growth is a species of misbegotten idol? In the background are golden earrings featuring the Egyptian Eye of Horus, a reference to the story's collection of Israelite earrings to create the calf; surely, their earrings' iconography and style would have been Egyptian following such a long period of assimilation. Illustration by Christopher Orev Reiger.