Vayakhel–Pekudei -- Exodus 35:1 – 40:38

The genius of every design by Steve Jobs (1955-2011) was an ability to understand what his community of users really wanted. Jobs was single-minded, and at times ruthless, in directing his designers to respond to community, to "have the courage to follow your heart and intuition."

Community is founded upon shared values and built upon shared practice. The team of wise-hearted artisans who create the Tabernacle and its furnishings as detailed in the previous reading of Terumah (Exodus 25:1-27:19) are truly inspired and devoted. The co-operative nature of this communal art project is inspiring on many levels. The instructions Moses conveys regarding the construction of the Tabernacle require materials in abundance. Once asked, the response is immediate and the materials arrive in abundance: from gold, silver, and copper, to blue-, purple-, and red-dyed wool, as well as goat hair, spun linen, animal skins, wood, olive oil, herbs, and precious stones. It is likely one of the only capital campaigns in Jewish history where its leader had to ask the members to stop giving!

"My favorite things in life don’t cost any money," Jobs’ once remarked. Jobs had clarity on the design of life, namely "that the most precious resource we all have it time." With that in mind, the strange opening of this week’s reading now falls into place — Moses' assembly of the Israelites begins with reiterating the importance of observing the Sabbath.

Making time sacred is the purpose of the Sabbath. The map of the soul’s journey, as Rabbi Lew (1945- 2009), z”l, taught, "...is the journey from isolation to a sense of our intimate connection to all being." That journey, unique to each soul, happens regularly in spiritual community. It is only when we are dedicated to a spiritual practice as central as the Sabbath that we can truly build communal institutions of lasting value.

- Rabbi Aubrey Glazer

Artwork note: This week's illustration is a depiction of a grape vine trained into the shape of menorah. The picture is inspired by theologian Rachel Adler's commentary on the Mishkan's menorah. She writes, "The menorah is not just any lamp, however. It is a giant lamp of unusual design.... We cannot sustain our presence at the original moment when a startled shepherd sees a terrible and wonderful sight: a tree on fire, unconsumed. We can only make a memory-tree to remind us of that moment, an artifice-tree of hammered gold, which we set afire, not abruptly, but with the choreography of ritual. Our reenactment distorts the story as it enriches it. The memory-tree is no humble wild thornbush, but the richly bearing fruit tree of the promised land, or the utterly stylized tree of modern ritual art." Illustration by Christopher Orev Reiger.

New Books In Our Library Collection

Rosemary Rothstein and the rest of the CBS Rabin Family Library Committee have been quite busy this past year. New books are added to our collection all the time. We invite you to come by and take a look!

If you would like to check out a book, just take a card from the library desk, sign your name and date, and place the card in the black mesh wire box. If you have an interest in some Jewish subject and can’t find what you are looking for, email Rosemary or Henry Hollander and they will see what they can do for you.

Below, congregant and bookseller Henry Hollander provides a few short reviews of some recently-acquired titles.

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Heart of Many RoomsA Heart of Many Rooms: Celebrating the Many Voices within Judaism,
by David Hartman

The late David Hartman (z"l), founder of the Shalom Hartman Institute in Jerusalem, encouraged thoughtful re-evaluation of Jewish ideas within a traditional Jewish setting. This collection of essays includes sections on "Family and Mitzvah with an Interpretive Tradition," "Educating Towards Inclusiveness," "Celebrating Religious Diversity," and "Religious Perspectives on the Future of Israel." Hartman’s contribution to Jewish education has had an invigorating effect on the many teachers who have studied at the Hartman Institute. While his legacy continues to benefit and shape the institute, we are now deprived of Hartman’s direct teaching. A Heart of Many Rooms provides a a good introduction to this significant Jewish thinker's thought.



Survival in SarajevoSurvival in Sarajevo: How a Jewish Community Came to the Aid of its City,
by Edward Serotta

Serotta is a European journalist and photographer who reported and photographed Sarajevo during the long and brutal Bosnian siege of the city. The war that occurred in the period following the collapse of Eastern European communism pitted Muslims, Croats, and Bosnians against each other. The Jewish community was no one’s enemy. Within the besieged city, the small Jewish population very actively worked to maintain public health, find food for the population, reach out to the isolated elderly, and provide a route of escape for as many people as possible, Jew or non-Jew. Serotta tells the story of this community, nearly destroyed in the Holocaust fifty years earlier, in a moment of very bitter triumph.

Bat Mitzvah of Ana RosensteinA guide for Shabbat worshipers in attendance at the Bat Mitzvah of Ana Rosenstein, Michal Bat Leah Hannah v’Benyamin, Shabbat Shira-Parshah Beshallach, February 11, 2006, 13 Shevat, 5766,
Congregation Beth Sholom, San Francisco, California.

At most of our b'nai mitzvot, the family provides a short brochure to help explain to the uninitiated just exactly what is going on around them and why. This deluxe version of such a production is very well done and can provide a helpful model for families preparing their own (simpler) brochures.

Schocken Guide to Jewish BooksThe Schocken Guide to Jewish Books: Where to Start Reading about Jewish History, Literature, Culture and Religion,
edited by Barry W. Holtz

Three thousand years of Jewish life is a lot to take in. It can be hard to figure out where to start. This guide is one of the best introductions to the world of Jewish books out there.





Wolloch HaggadahThe Wolloch Haggadah. Pessach Haggadah In Memory of the Holocaust,
Illustrated by David Wander with calligraphy by Yonah Weinrib

This Haggadah was originally commissioned as a one-of-a-kind, hand-written and illustrated manuscript. There was a subsequent, high-quality limited-edition portfolio produced. This edition is the first trade edition. It was dedicated to the memory of the Wolloch’s parents, both of whom perished in the Holocaust. During the Holocaust, Haggadot manuscripts were produced for surreptitious use, and they reveal much about how Jews lived and maintained their spiritual lives in the face of overwhelming adversity.

A Haggadah that is a commemoration of the Holocaust is not something I am not always comfortable with. There is an implicit and often explicit connection between the ideas "we were slaves in Egypt" and "we were victims in the Holocaust" that is too rigid for my tastes. That said, this particular rendering of the story of the Exodus from Egypt, drenched as it is in what Salo Baron referred to as "the lachrymose conception of Jewish history," is both beautiful and horrible in its telling of the tale. Come and review it and make your own conclusions!

Vayakhel -- Exodus 35:1-38:20

CoverDesign_VayakhelCharles (1907–78) and Ray Eames (1912–88) gave shape to America's twentieth century. Their lives and work represent the nation's defining movements: the West Coast's coming-of-age, the economy's shift from making goods to producing information, and the global expansion of American culture.

Born in St. Louis, Missouri, Charles Eames grew up in America's industrial heartland. As a young man, he worked for engineers and manufacturers, anticipating his lifelong interest in mechanics and the complex working of things. Ray Kaiser, born in Sacramento, California, demonstrated her fascination with the abstract qualities of ordinary objects early on. She spent her formative years in the orbit of New York's modern art movements and participated in the first wave of American-born abstract artists. The genius of every Eames design was summed up by Charles as follows: “The details are not the details. They make the design.” Eames designs took pride in contemplating the intricacy of all details and how they inter-relate to a larger whole.

That "larger whole" can also be community. Community is founded upon shared values and built upon shared practice. The team of wise-hearted artisans who create the Tabernacle and its furnishings as detailed in the previous reading of Terumah (Exodus 25:1-27:19) are truly inspired and devoted. The co-operative nature of this communal art project is inspiring on many levels. The instructions Moses conveys regarding the construction of the Tabernacle require materials in abundance. Once asked, the response is immediate and the materials arrive in abundance: from gold, silver, and copper, to blue-, purple-, and red-dyed wool, as well as goat hair, spun linen, animal skins, wood, olive oil, herbs, and precious stones. It is likely one of the only capital campaigns in Jewish history where its leader had to ask the members to stop giving!

The strange opening of this week’s reading now falls into place — Moses' assembly of the Israelites begins with reiterating the importance of observing the Sabbath. Making time sacred is the purpose of the Sabbath. The map of the soul’s journey, as Rabbi Lew (1945- 2009), z”l, taught, “…is the journey from isolation to a sense of our intimate connection to all being.” That journey, unique to each soul, happens regularly in spiritual community. It is only when we are dedicated to a spiritual practice as central as the Sabbath that we can truly build communal institutions of lasting value.

Just as the Eameses embraced their era's visionary concept of modern design as an agent of social change, so too might we elevate our spiritual practice as the highest agenda, bringing together our boundless passions and talents so we might overlap with our interests with those of our place in America and Israel.

- Rabbi Aubrey Glazer

Artwork note from Christopher Orev: This week's illustration shows the basic layout of the Mishkan (Tabernacle) within its constructed courtyard. Instead of a rectangle denoting the location of the Tent of Meeting, the silhouette of an Eames chair appears, a nod to Rabbi Glazer's Torah Byte. Additionally, the simple external wall of the Mishkan's courtyard here appears as the interior lines of a Necker Cube, an optical illusion created by Swiss crystallographer Louis Necker. I regard the Necker Cube as a symbol of life's push-pull ambivalence and the impossibility of ever perceiving capital-T Truth. It is, therefore, a reminder to walk with wonder and humility -- a fitting way to approach the Holy of Holies. Illustration by Christopher Orev Reiger.