Ki Tissa -- Exodus 30:11 – 34:35

Construction of the Tabernacle is left to the wise-hearted artisans, Bezalel and Aholiav, and proceeds according to schedule, but Moses does not return from atop Mount Sinai exactly when expected (32:1). This leads the impatient Israelites to sculpt a molten calf of gold and worship it (32:6).

When he finally returns, Moses sees his people dancing around this idol and becomes enraged; he smashes the first set of tablets, destroys the molten calf, and executes the culprits behind this moment of grave idolatry. Then, in a moment of great empathic compassion, Moses turns to God and says: “If You do not forgive them, then blot me out of the book that You have written!” (32:32) Perhaps this eruption of empathic compassion is what allows Moses to formulate a second set of tablets upon his next ascent to Sinai?

When Moses is able to be truly present to the others in his community, no matter how errant, he is then granted a vision of the divine, through the thirteen attributes of mercy. After Auschwitz, the great French Jewish thinker Emmanuel Levinas (1906-1995) took this remarkable moment of Moses’ request for a complete encounter with the divine “face” (33:20) only to be granted a view of “the other side” (33:23) to teach us that every human encounter with "the other" presents us with a trace of the divine.

- Rabbi Aubrey Glazer

Artwork note: This week's illustration depicts the golden calf, Torah's most prominent symbol of idolatry. Here, the calf's head references Charging Bull, the famous bronze sculpture that's sparked countless photo ops in downtown Manhattan since it was installed in 1987. The choice isn't intended as an attack on capitalism (which, when thoughtfully regulated, is the most workable system we’ve come up with), but perhaps our modern championing of relentless economic growth is a species of misbegotten idol? In the background are golden earrings featuring the Egyptian Eye of Horus, a reference to the story's collection of Israelite earrings to create the calf; surely, their earrings' iconography and style would have been Egyptian following such a long period of assimilation. Illustration by Christopher Orev Reiger.

Va'eira -- Exodus 6:2-9:35

The self-revelation of the divine to Moses is a unique moment in our spiritual history and changes the face of monotheism forever.

Emboldened and empowered, Moses and Aaron return before Pharaoh, demanding in the divine name,

Let my people go, so that they may serve Me in the wilderness.

Pharaoh’s recalcitrance leads to the moment where Aaron’s staff transforms into a snake, swallowing up the surrounding staffs of the Egyptian sorcerers, followed by the famous plagues. Water to blood; swarms of frogs; lice infestations; hordes of beasts; pestilence; painful boils; all culminating in the seventh plague, a hail of fire and ice.

Immune to the plagues, however, Pharaoh’s heart remains hardened.

- Rabbi Aubrey Glazer

Artwork note: This week's illustration depicts Pharaoh’s heart of stone. In response to the first five divine plagues, Pharaoh hardens his heart. In response to the remaining plagues, however, Torah states plainly that G-d hardens Pharaoh’s heart. No matter the agent, the result is the same; "Pharaoh's heart is heavy." (Exodus 7:14) Rabbi Stuart Kelman, founding rabbi of Berkeley’s Netivot Shalom, suggests the first five plagues saw Pharaoh progressively hardening his own heart to the plight of the Hebrews and the demands of Moses. That hardening response soon becomes reflexive, a kind of muscle memory, so that the Pharaoh’s heart was already "sclerotic" by the sixth plague, and G-d merely ensures that Pharaoh "lives out the consequences of his own arrogance and ambition." Illustration by Christopher Orev Reiger.

Va'eira -- Exodus 6:2-9:35

Facebook_CoverDesign_VaeiraIn her renowned book, Memory and Oblivion: The Mystery of the Dead Sea Scrolls (2009), Israeli scholar Rachel Elior posits that history cannot be separated from the one who tells it. The winners write their version of the story empowered by their power and authority over the present; whereas the oppressed write their forgotten history with an eye towards future redemption.

Whether we are referring to the memory of Second Temple spiritual practice and community building that the Essenes preserved in the Dead Sea Scrolls or to the spiritual activism of the dissenting Hebrew midwives in Egypt – neither of these religious cultures is relegated to oblivion. But what happens when fear is spoken to power rather than truth?

Pharaoh is a paradigmatic rabble-rouser, an agitator, firebrand, and provocateur. He sells himself on a platform of fear-mongering where he is the one entirely in control of the universe — he takes the place of God. Pharaoh is the symbol of demagoguery par excellence.

It is this demagoguery that Moses and Aaron must confront, demanding in the divine name,

Let my people go, so that they may serve Me in the wilderness.

Pharaoh’s recalcitrance leads to the moment where Aaron’s staff transforms into a snake, swallowing up the surrounding staffs of the Egyptian sorcerers, followed by the famous plagues. Water to blood; swarms of frogs; lice infestations; hordes of beasts; pestilence; painful boils; all culminating in the seventh plague, a hail of fire and ice. Immune to the plagues, however, Pharaoh’s heart remains hardened. The man is deluded by the narcissistic belief that his initial platform of fear-mongering will assure him perennial rule.

Judaism asserts otherwise, not only by sanctioning dissent through righteous indignation, but by holding out the hope of a future informed by a messianic consciousness that fills the hearts and minds of all to bring on a new, redemptive reality for all sentient beings – even in our own day!

- Rabbi Aubrey Glazer

Artwork note: This week's illustration depicts the ten plagues that afflicted the Egyptian people. Illustration by Christopher Orev Reiger.