Vayeira -- Genesis 18:1-22:24

Adi_Holzer_Werksverzeichnis_835_Abrahams_OpferCrowned as the Knight of Faith at the close of Lech Lecha, Vayeira picks up just three days after Abraham’s circumcision, when his steadfast conviction affords him the ability to see the divine that is revealed in the mundane. At this moment of divine self-revelation known as a theophany, Abraham encounters three men, wayfarers approaching his tent — because of Abraham's insight, he recognizes them as angels. Amidst the radical hospitality extended to these guests, one of the three angels announces that Sarah will give birth to a son in exactly one year, to which she can only laugh.

Later in the narrative, as the remaining two angels arrive in the doomed city of Sodom, Abraham pleads with God to spare the city. Finally and most famously, Abraham’s faith is tested when he is commanded to sacrifice his son on Mount Moriah (the Temple Mount in Jerusalem), where Isaac is bound upon the altar. As Abraham raises his knife to slaughter Isaac, a heavenly voice intercedes. And so Isaac is unbound only because a ram, caught in the thicket by its horns, is then rebound and offered in Isaac’s stead.

This story, the Akeida, is a story of binding and unbinding. In a sense, it is the story of all religion — religio means “binding.” In obeying the divine command, Abraham takes on religion, binding himself and his son to Judaism, but it is the moment of unbinding that is truly religious, as each of us in our lives is free to choose anything, and thus we search for the divine beyond convention or expectation. In the unbinding, Isaac becomes a real person.

What is this process of unbinding ourselves from convention and expectation to become a real spiritual being? The renowned Czech-German writer Franz Kafka (1883 – 1924) offers a clue in his Zurau Aphorisms:

A faith like an ax. As heavy, as light.

If you dare look in the mirror, then you will realize how much faith oscillates — heavy and light, between faithfulness and faithlessness, between connection and disconnection. For such oscillation to be felt, our spiritual practices need to cultivate elasticity, I daresay, a knowing artistry of Judaism unbound in its binding that is flexidox!

- Rabbi Glazer

Image credit: "The Sacrifice of Isaac," by Adi Holzer, b. 1936

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