Kezayit (An Olive's Worth): Man As Technicolor Dreamcoat

In the wake of David Bowie's passing, we're sharing another Kezayit feature here. What's this Kezayit thing? Read here.

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On Sunday, January 10, the world lost a great pop culture trendsetter and zelig, David Bowie (1947-2016).

Bowie, born David Robert Jones in South London, wasn’t Jewish, but he was among the first celebrities to dabble with Kabbalah. In the title song of his 1976 album, Station to Station, he sings,

"From where dreams are woven
Bending sound, dredging the ocean, lost in my circle
Here am I, flashing no color

Tall in this room overlooking the ocean
Here are we, one magical movement from Kether to Malkuth
There are you, you drive like a demon from station to station


At the time, even Bowie’s most ardent fans were confused — what are Kether and Malkuth? A clue was provided by the photograph that appeared on the back cover of Station to Station. The picture shows Bowie at his most androgynous drawing the Tree of Life, the diagram representing the relationship between the Ten Sefirot, the Divine Emanations of G-d according to Kabbalah. Kether (or Keter, crown) and Malkuth (or Malchut, kingdom) are the top- and bottommost sefirot, respectively. Bowie’s lyrics seem to suggest that he and his companions "overlooking the ocean" had tapped into some esoteric knowledge that allowed them direct access — “one magical movement” — from the realm of the Earthly (Malkuth) to the realm of the supernal (Kether), a channel not accessible to most of humanity, who need to “drive like demon[s] from station to station.” There are, of course, both healthy and unhealthy ways to tap into mystical revelation, and according to many sources, the Station to Station portion of Bowie’s career was informed by his being “bombed out of his mind on cocaine.”

Bowie’s legacy, though, will not be his flirtation with Jewish esoteric traditions, his battle to overcome drug addiction, or his acting and painting forays. As Jon Pareles wrote in the New York Times obituary, "Mr. Bowie wrote songs, above all, about being an outsider: an alien, a misfit, a sexual adventurer, a faraway astronaut. His music was always a mutable blend: rock, cabaret, jazz and what he called 'plastic soul,' but it was suffused with genuine soul. […] Throughout Mr. Bowie’s metamorphoses, he was always recognizable. His voice was widely imitated but always DB-Transformation-Colourhis own; his message was that there was always empathy beyond difference.”

We leave you with an animated representation of Bowie’s metamorphoses by illustrator Helen Green.

Lead image credit: "David Bowie draws the Tree of Life," photographed by Steve Shapiro, 1975